In 2017, Ivor Novello Award-winning and GRAMMY® Award-nominated legend Richard Thompson gave himself up to the music itself. Picking up a guitar, emotions echoed through his deft fleet-fingered fretwork, poetic songwriting, impassioned picking. Those transmissions comprise his nineteenth solo album and return to New West Records, 13 Rivers.
Thompson began composing ideas for what would become 13 Rivers at his California home. Off the road, he focused on writing. As a result of the defined time period, the music possessed a distinct cohesion.
To capture this vision, he retreated to the famed Boulevard Recording Studio in Los Angeles. Known previously as “The Producers Workshop” and once owned by Liberace and his manager, the locale served as the site for seminal classics by Steely Dan, Fleetwood Mac, Ringo Starr, and Joan Baez. It also hosted the mixing sessions for Pink Floyd’s The Wall. Notably, this marked the first time Thompson self-produced in over a decade and he opted to track analog in just ten days. Engineered by Clay Blair (The War on Drugs), usual suspects Michael Jerome [drums, percussion], Taras Prodaniuk [bass], and Bobby Eichorn [guitar] joined him.
Powered by evocative songcraft, jaw-dropping guitar playing, and indefinable spirit, this venerable icon holds a coveted spot on Rolling Stone’s “100 Greatest Guitarists of All Time” and counts a Lifetime Achievement Award from the Americana Music Association in Nashville, and a Lifetime Achievement Award from the BBC Awards among his many accolades. 2011 saw Thompson garner an OBE (Order of the British Empire) personally bestowed upon him by Queen Elizabeth II at Buckingham Palace. Moreover, Time touted his anthem, “1952 Vincent Black Lightning,” on its “100 Greatest Songs Since 1923” list.
Thompson’s influence can’t be overstated. Everybody from Robert Plant, Don Henley, and Elvis Costello to REM, Sleater-Kinney and David Byrne has covered his music. Wilco’s Jeff Tweedy jumped at the chance to produce 2015’s Still —which earned plaudits from Pitchfork, The Guardian, Rolling Stone, and more. Meanwhile, Werner Herzog tapped him for the soundtrack to Grizzly Man. He launched his career by co-founding trailblazing rock outfit Fairport Convention responsible for igniting a British Folk Rock movement.